Friday, December 24, 2010

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traditional and cultural!

Any team Arts & Crafts Chinese you good wishes Eve and a Merry Christmas!

Wednesday, November 10, 2010

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Crafts Chinese Crafts for Christmas

The craft shop offers beautiful Asian Ruyi Chinese handicrafts for Christmas.

These rare pieces of Chinese artifacts are available in the shop:

http://www.ruyi-france.com/

Thursday, September 23, 2010

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for ivory in China

The work dates from the ivory several thousand years in China, where elephants still exist in South-East Asia, lived in central and southern China.

From the sixth century BC, there was more than Yunnan and the Canton region. Later, through the development of maritime trade, the Chinese imported it from the east coast of Africa an ivory finest quality. If

craft of ivory is a luxury product, almost exclusively for export, "paper cut" is certainly the most popular of all traditional Chinese arts. In every home during the Christmas New Year, we decorate the windows and walls of these figures with extraordinary finesse. Flowers, butterflies, dragons, phoenixes, silhouettes are cleverly cut in white paper or multicolored.

With the development of cast iron, bronze and iron especially, the Chinese disposèrent early tools to sculpt more finely ivory, hard material, which nevertheless allowed an extraordinary delicacy of the work. The tools used differed little from those that are still in use today: gouges, chisels of all sizes, fine 'language of asps, drills, rasps and buffers were fixed on bamboo sticks of varying thickness.

District has long been a major center of handicrafts in ivory. Cantonese objects are distinguished by the complexity of their sculpture, very detailed and sober and less than the North. From the eighteenth century they were mainly for export to Europe, who loves "red" and particularly appreciates the extraordinary virtuosity of the craftsmen Cantonese. The ball-Canton "are hollow spheres, decorated with fine carvings pierced, and they contain other balls, just as finely worked (sometimes up to 18) cut in the same block and all phones.

Thursday, July 22, 2010

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Miao Embroidery

The Miao are a Chinese minority who has reached the perfection the art of embroidery. For the Miao embroidery is not only to demonstrate dexterity, but also develop a true language of figural and abstract, saying that the origin of their people and their relationship with the universe. According to legend, the Miao were used with a handwriting ... They lost it forever crossing a river during their slow migration to the south. The embroidery, like the song, is now an expression of their culture.


In the Miao embroidery, the butterfly is the key, with the bird Jiwei, the legendary Miao. The dragon has been borrowed, with its symbolism, the Chinese Bestiary: Lucky, it guarantee success in any business. In the vocabulary of the Miao embroidery, it is multifaceted.

The compositions of the Miao embroidery all have an organic nature, they celebrate the ongoing transformations that combine human, plants and animals: a bird's tail turns into a scroll of flowers, grow wings on the shoulders men, fish become dragons.

In general, the embroideries are done on parts to be applied, rarely directly on the garment itself. These parts are also used as reinforcement against wear and are sewn on the sleeves, shoulders and edges jacket, the bottom of skirts and trousers.

The pinnacle of Miao embroidery is used to mark the completion of the skirt "of a hundred fold," a costume party that takes three to four years of work at a dressmaker and also for the traditional baby carrier, a sort of backpack or embroidered women carry their child.

The skill of sewing has always been transmitted from mother to daughter, and a year ago any kind of opportunity to show off her needlework. Embroidery and brocade, damask and applied all the techniques of textile decoration are made involved, transforming the garment into a unique seal and shimmer of the identity of a village.

Wednesday, June 16, 2010

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The ancient Chinese bronzes

In China, the art of bronze experiencing tremendous growth in the royal dynasty of Shang, after maturation of about five centuries. The mastery of fire, due to the ceramic firing, permits fast Essort techniques fonts. Ritual instruments dedicated to the worship of ancestors, bronze vases symbolize and embody the power of their holder. They soon become the vector of the history of dynastic clans and ceremonies.

fades into molds segments fireclay, bronze objects are divided into many categories: vases, mirrors, weapons, pieces of harness and chariots, musical instruments (drums and bells). Symbol of power and wealth, is ceremonial bronze vessels under the Shang and Zhou, the support of dedicatory inscriptions giving the names of clans and later, narrate the feats of the owner. Social rank determines the number of authorized parts in rituals to their ancestors, but from the fifth century BC, theft is a common common. Under the Han, the prestigious Bronze yields to the aesthetic and sanitary dishes in lacquer.

Rediscovered in the Song, the bronzes have a special place on the scholar's desk, incrnant a golden age and stimulating the imagination.

Friday, May 21, 2010

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The manufacture of carpets hand-knotted Chinese

A very interesting video documentary on the technical craft of making rugs hand-knotted in China. Including washing and finishing. The images sometimes speak better than text.