Peking Opera back to the late 18th century. It is a synthesis of music, dance, art and acrobatics. Both influenced by interpretation, any premium in China. Two categories of parts coexist: one called "civilized part, focuses on singing and dialogue, the other known as" martial room, "is marked by the struggle and somersault . In addition, some pieces fall into the category of the mixture of both.
The actors speak the Beijing dialect, but a few words that are pronounced own opera. Interpretation techniques include Chang (vocals), Nian (dialogue), Zuo (game) and Da (martial art).
The art of game consists of choreographed movements of body and hand gestures. As a martial art, it consists essentially of the somersault and acrobatics.
The music of Peking opera is the style sheet and hollow. " The rhythm of the melody is graceful and pleasing to the ear. The melody, divided into "Xipi" and "Erhuang" includes several tempos: the director, the original, slow, fast and discontinuous. The game takes place in accompaniment of stringed instruments, percussion and wind instruments, such as Jinghu (Chinese violin two strings with a high register), Yueqin (moon-shaped guitar), sanxian (three-stringed instrument plucked), suona (wind instrument like the oboe), horn, flute, drum, cymbal and large and small gongs.
The traditional make-up, near the mask, and elaborate costumes allow an informed public to identify the characters without hesitation.
The repertoire of Beijing Opera includes literary works, whose song is the main interest, and war epics, prevail in which dance and acrobatics. Comedies, tragedies, jokes or satires, all derive their argument Buddhist and Taoist legends, folk tales and classic literature.
paper cut into picture, representing a mask of Peking opera is available from the shop RUYI:
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